Raising the Supine Dome, an artist's book

Raising the Supine Dome is an artist's book I just completed. Much of the work was done while I was a visiting lecturer at Dartmouth College teaching the Book Arts Studio Seminar. Dartmouth has a fully equipped letterpress studio that I used to hand-set all of the 14pt Caslon metal type. I printed the type and photopolymer plate images on a Vandercook SP-20. The figures are cut out of the page, using a laser cutter. When paged through, the cut figures show through to the back side of the accordion on which I printed a triangular grid pattern.

The book is printed on Holyoke Fine Paper which is a soft, thick, 100% rag paper that takes a letterpress impression beautifully and is made not more than 30 miles from my home in Western Massachusetts. Each panel of the accordion binding consists of two layers of paper with a tyvek hinge joining one panel to the next. Thev tyvek creates a strong hinge that won't tear and the double thickness panels create a stiff page that can stand upright on its own. The cover is a beautiful, earthy graphite colored handmade paper from Cave Paper over book board.

A full gallery of page by page images of the book along with an artist's statement and a link for purchasing can be found on the website here. Edition of 20 copies ready to ship before Christmas.

 

Recent Exhibits

My work has been in a few shows this fall and will be featured in others in 2011:

March 17 - April 9, 2011
IMPRESS(ed), A Selection of Contemporary Letterpress Prints, Hunt Gallery, Webster University, St. Louis, MO,
coinciding with the Southern Graphics Council International Conference.

March 4 - April 2, 2011
Un-Speak-Able, The Arts Center, Corvallis, OR, curated by Barbara Tetenbaum

Dec 22, 2010
- Apr 17, 2011
The Book: A Contemporary View
, Deleware Center for Contemporary Arts, Wilmington, DE
traveling to Towson University, MD in 2011.

Nov 5 - Jan 22, 2010
Research and Reverie, John Cotton Dana Library, Rutgers University, New Brunswick, NJ
coinciding with the NJ Book Arts Symposium

Sept 13 - Oct 29, 2010
Art of Discovery & Boston Book Art, BHCC Art Gallery, Boston, MA

#000000, an artist's book



In 2009 I began working on #000000, an artist's book that explores how humans use hexagons to order space, both real and virtual. I finished the book in the Dartmouth College letterpress studios in 2010. Visit this page on my website for a full gallery of images.

The book depicts an oasis in Libya that was designed in the late twentieth century using large hexagons. Game designers have also used the Al-Kufrah Oasis to model a virtual environment in an online wargame. Overlapping color spectra show the progression of this utopian oasis from its original desert form to current oil field. Hexadecimal numbers (a base-16 numbering system used to define color on web pages) were hand set in 18pt. Bulmer and are used throughout the book to illustrate the transition from real to virtual space.

One of the photographs above shows the book displayed on the wall in a recent group show I participated in.

#000000 was printed using hand set metal type, pressure printing and photopolymer plates on Masa paper. I used a leporello binding with reflective metallic cover printed with photopolymer plates. Edition of 5. Please contact me to inquire about purchasing.

Dartmouth Book Arts Prize 2010

Linden Vongsathorn 'Canon'




Grace Kang 'Farm to Table'
This past spring, I taught a Book Arts Studio Seminar at Dartmouth College which combined letterpress printing, bookbinding, and intensive investigations of artist's books from the Dartmouth College collections. The students were exceptional and created phenomenal work. Two students from the class won the Dartmouth College Book Arts Prize for 2010. Here are a few images of the winning books and a link to the online gallery for the Book Arts Prizes.